query: girls 50s poodle socks

doc:
Rubie's Fifties Girl Child's Costume, Small, (Model: 883050_S),Multicolor Child's costume dress with 50's Poodle Dress flare
Pink poodle on dark pink skirt, attached jacket with red hearts and the word "puppy love"
IMPORTANT: Costumes are not sized the same as clothing, consult Rubie's Child Size Chart and recent reviews; DO NOT buy based on age or clothing size
GROUPS / FAMILIES: Combine with 50's style costumes in sizes for babies, children, adults and even pets
Rubie's brings fun to dress-up with costumes and accessories for every member of the family Rubie's Multicolor

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50s Girls Outfit Accessory Set - Poodle Dress Shirt,Poodle Costume Skirt,Chiffon Scarf,Cat Eye Glasses,Bobby Socks,PK-12 Pink 50s Girls Outfit Accessory Set include: </br>1 x Poodle Dress Shirt; </br>1 x Poodle Costume Skirt; </br>1 x Chiffon Scarf; </br>1 x Cat Eye Glasses; </br>1 x Poodle Bobby Socks 50s Girls Outfit Accessory Set include: 1 x Poodle Dress Shirt; 1 x Poodle Costume Skirt; 1 x Chiffon Scarf; 1 x Cat Eye Glasses; 1 x Poodle Bobby Socks
The Girls' Short Sleeve White Blouse is Peter Pan Collar Blouse w/ 50's Classic Poodle Applique Perfect for the Old’s 50s Outfit
The Poodle Skirt is a beautiful hadmade. Felt skirt and plush poodle with rhinestone eye and pink bow headband.One size fits most. Elastic waistband stretches from 20" to 38" Skirt is 19" long.
Girls Bobby Socks W/Poodle Applique Match up your fashionable 50s bobby sock with a pair of our saddle shoes, and jive the night away.
Great for School Uniforms plays, sock hops, Halloween, 50's Party, 100 days of school costume and more qnprt Pink

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Cat Eye Glasses with Rhinestones - (Pack of 4) Vintage Retro 50s 60s Inspired Clear Non - Prescription Costume Cateye Sunglasses for Women & Kids by Bedwina
Retro Inspired 50s & 60s Cat Eye Glasses
 Our Bedwina bulk pack of cat eye glasses with rhinestones includes 4 pairs in 4 different colors including white, black. pink and red. These non prescription glasses are great costume accessories that are sure to help complete your vintage inspired 50s and 60s look

The Best Vintage Fashion Glasses for Costumes & Playing Dress Up
 Our iconic style 1950's & 1960's Retro Cateye Glasses have the classic wing flairs and rhinestones which makes these funky sunglasses perfect for movie props, playing dress up, cosplay, school plays, Grease themes, rockabilly fashion and more

 KEY FEATURES:

Pack of 4

4 Colors: White, Black, Red & Pink

Individually Wrapped

Lightweight & Comfortable to Wear

Fits Most Kids & Adults

Measures 6 inches Wide and 5 - 1/4 inches from Temple to Behind the Ear

Clear Plastic Lenses

High Quality

100% SATISFACTION GUARANTEED

 Click "Add to Cart" to order your cat eye sunglasses & 1950s party decorations today!
 ★ PACK OF 4 CAT EYE GLASSES ★ Each pack of cat eye glasses with rhinestones includes 4 pairs in 4 different colors including white, black. pink and red. These non prescription glasses are great costume accessories that are sure to help complete your vintage inspired 50s and 60s look
★ FASHIONABLE! GREAT FOR PARTIES & DRESS UP ★ These iconic style 1950's & 1960's Retro Cateye Glasses have the classic wing flairs and rhinestones which makes them perfect for movie props, playing dress up, cosplay, school plays, Grease themes, rockabilly fashion and more
★ SUPER FUN VINTAGE LOOK ★ Because our cat eye glasses costume pack is really cute and stylish you'll be sure to get so many compliments on them. They are a fun way to change up your style as well as great for your kids to play with and enhance their creativity
★ HIGH QUALITY COSTUME GLASSES ★ These 1950s style Cat Eye Glasses are lightweight and comfortable to wear. Each pair is made of high quality material, features clear plastic lenses, measures 6 inches wide and fits most kids and adults. They're individually wrapped, retro & guaranteed to be very cool
★ 100% SATISFACTION GUARANTEED ★ When shopping for plastic sunglasses, cat eye glasses in bulk, or 1950s accessories for women with Bedwina you can be rest assured that our if for whatever reason you are not 100% satisfied we'll take back your product, no questions asked. We are here to make you 100% happy, 100% of the time with our 100% satisfaction guaranteed Bedwina Red, Black, White, Orange,

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QNPRT 50s Girls Costume Accessory Set - Poodle Skirt, Chiffon Scarf, Cat Eye Glasses,Bobby Socks,Blue Package include: </br>1 x Poodle Skirt; </br>1 x 50's Chiffon Scarf; </br>1 x Cat Eye Glasses; </br>1 x Bobby Socks </br></br> Great for school plays, sock hops, Halloween, 50's Party, and more Package include: 1 x Poodle Skirt; 1 x 50's Chiffon Scarf; 1 x Cat Eye Glasses; 1 x Bobby Socks
The Poodle Skirt is a beautiful hadmade. Felt skirt and plush poodle with rhinestone eye and pink bow headband.One size fits most. Elastic waistband stretches from 20" to 38" Skirt is 19" long.
50's sexy cat eye glasses:the frame is made of high quality plastic with metal hinges, it is very sturdy
50s Style Sheer chiffon scarf vintage style accessory best for women and children.
Great for school plays, sock hops, Halloween, 50's Party, and more qnprt Blue

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50s Girls Costume Accessory Set - Poodle Skirt,Elastic Cinch Belt,Ponytail Holders,Chiffon Scarf,Cat Eye Glasses,Bobby Socks,Hot Pink Package include:
1 x Poodle Skirt;
1 x Elastic Cinch Belt;
1 x Ponytail Holders;
1 x 50's Chiffon Scarf;
1 x Cat Eye Glasses;
1 x Bobby Socks

 Great for school plays, sock hops, Halloween, 50's Party, 100 days of school costume and more Package include: 1 x Poodle Skirt; 1 x Elastic Cinch Belt; 1 x Ponytail Holders; 1 x 50's Chiffon Scarf; 1 x Cat Eye Glasses; 1 x Bobby Socks
The Poodle Skirt is a beautiful hadmade. Felt skirt and plush poodle with rhinestone eye and pink bow headband.One size fits most. Elastic waistband stretches from 20" to 38" Skirt is 19" long.
Girls Bobby Socks W/Poodle Applique Match up your fashionable 50s bobby sock with a pair of our saddle shoes, and jive the night away.
The 50's Sexy Cat Eye Glasses: The Frame is Made of High Quality Plastic w/ Metal Hinges, It is Very Sturdy
Great for school plays, sock hops, Halloween, 50's Party, 100 days of school costume and more qnprt Hot Pink

neg:
1950s Toddler Poodle Skirt with Scarf, Bobby Socks, and Glasses, 4 Piece Halloween or Pretend Play Costume Set Light Pink When your daughter wears this 1950s-inspired costume, she’ll want to do the doo-wop, the bop, and the jive! It comes with a 50s poodle skirt, scarf, bobby socks, and cat-eye glasses. The poodle skirt is made from 100% acrylic felt and features an applique of a black and white poodle. A twisting and looping leash is sewn onto the skirt for a fun, authentic retro look. The skirt also has an elastic waistband that will stretch with ease, making a super comfortable fit. Each skirt is handmade by local seamstresses right here in the USA! The scarf can either be worn as an ascot or a hair accessory. The scarf is made from chiffon, so it will feel soft and lightweight on your little one’s neck. The bobby socks come in white and also have a poodle applique machines pressed onto their cuffs. Finally, the cat-eye glasses have sparkling rhinestones embedded into the frame. The lenses are made from impact-resistant plastic, so she’ll be able to enjoy them for years to come. You can choose from 5 different color schemes, including hot pink, light pink, purple, red, or teal. The skirts are made especially for little girls. Order one for the next sock hop, swing dance, decades dance, or themed party. Your daughter will be the belle of the ball when she wears this outfit! Or double up and wear it as a Halloween costume as well. No matter what, she’ll be a saddle shoe in for best dressed! Hip Hop 50s is a local business based in the USA. CUTE 4-PIECE SET: You’ll receive a poodle skirt, scarf, bobby socks, and cat-eye glasses. The poodle skirt is made from 100% acrylic felt for an authentic fifties look. It features an applique of a poodle with an ric-rac leash lovingly sewn to it. The socks also have an embroidered poodle applique pressed on their cuffs. The versatile chiffon ascot adds class and sophistication to your littles outfit. *Shirt not included.
PERFECT FOR SOCK HOPS & DECADE DANCES: Step back in time with this adorable vintage-inspired toddler poodle skirt costume. Whether she’s going to a sock hop, decades dance, or 50s-themed party, she’ll fit right in with your new retro attire. Let’s hope there’s a daddy daughter dance to make the night extra special. The whole family will twist and shout and rock ‘n’ roll when she’s wearing her poodle skirt complete with accessories!
FUN HALLOWEEN COSTUME: Toddlers sometimes aren’t into Halloween being so scary! Rest assured that it will be all kicks and giggles when the get to wear this adorable poodle costume. It comes in 5 different colors, giving you a wide variety to choose from. Your little rebel can feel a bit of independence, when she puts on this costumes herself. All you have to do is add a simple blouse, tie her scarf and curl her hair and she’ll look like she came straight from the decade of rock ‘n’ roll
FOR TODDLER GIRLS: Every detail of this costume is designed for toddlers. The scarf and glasses are sized down for little bodies. It comes in one size that fit toddlers that are 1 to 3 years of age. Lastly, the skirt features an elastic band, ensuring comfortable stretch for your little one. Be sure to check out our size chart for more info. Hip Hop 50s Shop Light Pink

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Hip Hop 50s Shop Baby and Toddler Poodle Skirt (Light Pink, Toddler) Dress up your little princess in this adorable poodle skirt costume from Hip Hop 50’s Shop, and watch her become a 50’s queen in no time! This skirt is embroidered with a sewn-on black ric-rac “leash” and a poodle appliqué and is seamless except where the felt fabric connects to a 1 1/2-inch black elastic waistband. Whether you need it for her upcoming sock hop, a costume dance with friends, or as an enchanting and memorable Halloween costume, your little one will look as priceless as she is in this fantastic outfit. It is also great for everyday play dress-up apparel, with the durability to hold up to her energy. Handmade by professional seamstresses right here in the USA in the traditional style that makes us at Hip Hop 50’s Shop your number-one go-to for all 50’s items when authenticity counts. Not only will you be supporting local businesses with every purchase, but you get the best workmanship at an affordable price. The poodle on the skirt has been professionally embroidered for long-lasting wear. The only thing cuter than this skirt will be your child when she wears it. This poodle skirt is machine washable, but we recommend hand washing it, then hanging it to dry in order to preserve this cute little outfit for years. The poodle skirt was the quintessential symbol of youth in the 1950’s. Every child needs a bright skirt to catch everyone's eyes as they run around any event. Our poodle costume comes in a variety of colors, including hot pink, light pink, purple, and teal, and will have your little one looking like she walked straight out of the 1950s. Certain to grant countless hours of fun, with this poodle skirt you can be confident that she would fit right in if she could sock hop right back in time to the best decade of the last century! We know you’ll love our adorable 1950s poodle skirt costume, and so will your precious little girl. ADORABLE HALLOWEEN COSTUME – Your little one will look perfect in our authentic 50’s poodle skirt, featuring a sewn-on black poodle appliqué and ribbon “leash.” Whether she wants to rock it out in this for Halloween or join in a sock hop with her friends, this poodle skirt will make her look like she stepped straight out of the 50’s! Match your adorable little girl with a poodle skirt for women.
HIGH QUALITY FELT – You know how rough the life of a toddler can be on their outfits. With our costumes, that won’t be something you have to worry about anymore. This 1950’s poodle skirt is made of high-quality acrylic felt that won’t fray over time. Our skirts are lovingly handmade by one of our seamstresses and the cute full circle skirt design makes the skirt body entirely seamless.
COMFORTABLE AND CLASSIC – We pride ourselves in giving you only the best in classy, vintage-inspired apparel. With adjustable sizes and professional hand-embroidery, this poodle skirt will fit your child in style, with a look that is as in today as it was in the Nifty Fifties. Your little one will look like she walked right out of the 50’s in this adorable poodle skirt for girls!
USA MADE, SUPERIOR QUALITY – These unique, adorable skirts are hand-cut and sewn right here in America, just like in the good old days! Not only will your toddler steal the show, along with the hearts of those who see her, but you will also be supporting local businesses with this high-quality vintage-style poodle skirt.
ELASTIC WAISTBAND FOR GREAT FIT - A 1 1/2-inch black elastic waistband will fit your little one with a waist size ranging between 14 and 20 inches. It is a comfortable fit and is easy for your toddler to put on by herself. This is especially helpful as she enters that stage where she has to “do it herself.” Fits most toddlers 1-3 years. The high-quality acrylic felt skirt is 11 inches long. Hip Hop 50s Shop Light Pink

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fun shack Sock Hop Costume for Girls Pink 50s Halloween Costumes for Girls Small Includes a pink and black polka dot dress,a buckled black belt and a neck scarf.
Available in sizes Small (4-6 Years), Medium (7-9 Years), Large (10-12 Years), X-Large (12-14 years). Please refer to size chart image for further size details.
High quality material including a matching polka dot neck scarf.
Child Safe: Meets US Toy Safety Standards and Safety Test Approved.
Perfect poodle girl costume, kids Halloween costume, kids poodle costume, 50s girl costume, kids sock hop costume, girls dress up costumes for play, sockhop costume girls, 50s theme party. fun shack 50s Poodle Dress

neg: Ellie Shoes Men's 105-saddle, Black/White, 7 Lace up^Matte polyurethane^Stacked heel^Perforation Ellie Shoes Black/White


query: girls 50s poodle socks

doc:
Kidcostumes Poodle Skirt with Musical Note Printed Scarf Poodle skirt comes complete with satin scarf printed with musical notes. One size fits most with a 20" relaxed waist that stretches to 38". Skirt is 19" long. Made from soft felt that can be cut to any desired length. Leotard, shoes, and socks not included. A great value. Quality made, great value
Comfortable to wear with stretchy elastic waistband.
Great for school plays, sock hops, Halloween, 50's Party, and more
Felt skirt and plush poodle with rhinestone eye and silver sequin collar
One size fits most. Elastic waistband stretches from 20" to 38" Skirt is 19" long Kidcostumes Pink

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50s Girls Outfit Accessory Set - Poodle Dress Shirt,Poodle Costume Skirt,Chiffon Scarf,Cat Eye Glasses,Bobby Socks,PK-12 Pink 50s Girls Outfit Accessory Set include: </br>1 x Poodle Dress Shirt; </br>1 x Poodle Costume Skirt; </br>1 x Chiffon Scarf; </br>1 x Cat Eye Glasses; </br>1 x Poodle Bobby Socks 50s Girls Outfit Accessory Set include: 1 x Poodle Dress Shirt; 1 x Poodle Costume Skirt; 1 x Chiffon Scarf; 1 x Cat Eye Glasses; 1 x Poodle Bobby Socks
The Girls' Short Sleeve White Blouse is Peter Pan Collar Blouse w/ 50's Classic Poodle Applique Perfect for the Old’s 50s Outfit
The Poodle Skirt is a beautiful hadmade. Felt skirt and plush poodle with rhinestone eye and pink bow headband.One size fits most. Elastic waistband stretches from 20" to 38" Skirt is 19" long.
Girls Bobby Socks W/Poodle Applique Match up your fashionable 50s bobby sock with a pair of our saddle shoes, and jive the night away.
Great for School Uniforms plays, sock hops, Halloween, 50's Party, 100 days of school costume and more qnprt Pink

neg:
Cat Eye Glasses with Rhinestones - (Pack of 4) Vintage Retro 50s 60s Inspired Clear Non - Prescription Costume Cateye Sunglasses for Women & Kids by Bedwina
Retro Inspired 50s & 60s Cat Eye Glasses
 Our Bedwina bulk pack of cat eye glasses with rhinestones includes 4 pairs in 4 different colors including white, black. pink and red. These non prescription glasses are great costume accessories that are sure to help complete your vintage inspired 50s and 60s look

The Best Vintage Fashion Glasses for Costumes & Playing Dress Up
 Our iconic style 1950's & 1960's Retro Cateye Glasses have the classic wing flairs and rhinestones which makes these funky sunglasses perfect for movie props, playing dress up, cosplay, school plays, Grease themes, rockabilly fashion and more

 KEY FEATURES:

Pack of 4

4 Colors: White, Black, Red & Pink

Individually Wrapped

Lightweight & Comfortable to Wear

Fits Most Kids & Adults

Measures 6 inches Wide and 5 - 1/4 inches from Temple to Behind the Ear

Clear Plastic Lenses

High Quality

100% SATISFACTION GUARANTEED

 Click "Add to Cart" to order your cat eye sunglasses & 1950s party decorations today!
 ★ PACK OF 4 CAT EYE GLASSES ★ Each pack of cat eye glasses with rhinestones includes 4 pairs in 4 different colors including white, black. pink and red. These non prescription glasses are great costume accessories that are sure to help complete your vintage inspired 50s and 60s look
★ FASHIONABLE! GREAT FOR PARTIES & DRESS UP ★ These iconic style 1950's & 1960's Retro Cateye Glasses have the classic wing flairs and rhinestones which makes them perfect for movie props, playing dress up, cosplay, school plays, Grease themes, rockabilly fashion and more
★ SUPER FUN VINTAGE LOOK ★ Because our cat eye glasses costume pack is really cute and stylish you'll be sure to get so many compliments on them. They are a fun way to change up your style as well as great for your kids to play with and enhance their creativity
★ HIGH QUALITY COSTUME GLASSES ★ These 1950s style Cat Eye Glasses are lightweight and comfortable to wear. Each pair is made of high quality material, features clear plastic lenses, measures 6 inches wide and fits most kids and adults. They're individually wrapped, retro & guaranteed to be very cool
★ 100% SATISFACTION GUARANTEED ★ When shopping for plastic sunglasses, cat eye glasses in bulk, or 1950s accessories for women with Bedwina you can be rest assured that our if for whatever reason you are not 100% satisfied we'll take back your product, no questions asked. We are here to make you 100% happy, 100% of the time with our 100% satisfaction guaranteed Bedwina Red, Black, White, Orange,

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QNPRT 50s Girls Costume Accessory Set - Poodle Skirt, Chiffon Scarf, Cat Eye Glasses,Bobby Socks,Blue Package include: </br>1 x Poodle Skirt; </br>1 x 50's Chiffon Scarf; </br>1 x Cat Eye Glasses; </br>1 x Bobby Socks </br></br> Great for school plays, sock hops, Halloween, 50's Party, and more Package include: 1 x Poodle Skirt; 1 x 50's Chiffon Scarf; 1 x Cat Eye Glasses; 1 x Bobby Socks
The Poodle Skirt is a beautiful hadmade. Felt skirt and plush poodle with rhinestone eye and pink bow headband.One size fits most. Elastic waistband stretches from 20" to 38" Skirt is 19" long.
50's sexy cat eye glasses:the frame is made of high quality plastic with metal hinges, it is very sturdy
50s Style Sheer chiffon scarf vintage style accessory best for women and children.
Great for school plays, sock hops, Halloween, 50's Party, and more qnprt Blue

neg:
50s Girls Costume Accessory Set - Poodle Skirt,Elastic Cinch Belt,Ponytail Holders,Chiffon Scarf,Cat Eye Glasses,Bobby Socks,Hot Pink Package include:
1 x Poodle Skirt;
1 x Elastic Cinch Belt;
1 x Ponytail Holders;
1 x 50's Chiffon Scarf;
1 x Cat Eye Glasses;
1 x Bobby Socks

 Great for school plays, sock hops, Halloween, 50's Party, 100 days of school costume and more Package include: 1 x Poodle Skirt; 1 x Elastic Cinch Belt; 1 x Ponytail Holders; 1 x 50's Chiffon Scarf; 1 x Cat Eye Glasses; 1 x Bobby Socks
The Poodle Skirt is a beautiful hadmade. Felt skirt and plush poodle with rhinestone eye and pink bow headband.One size fits most. Elastic waistband stretches from 20" to 38" Skirt is 19" long.
Girls Bobby Socks W/Poodle Applique Match up your fashionable 50s bobby sock with a pair of our saddle shoes, and jive the night away.
The 50's Sexy Cat Eye Glasses: The Frame is Made of High Quality Plastic w/ Metal Hinges, It is Very Sturdy
Great for school plays, sock hops, Halloween, 50's Party, 100 days of school costume and more qnprt Hot Pink

neg:
1950s Toddler Poodle Skirt with Scarf, Bobby Socks, and Glasses, 4 Piece Halloween or Pretend Play Costume Set Light Pink When your daughter wears this 1950s-inspired costume, she’ll want to do the doo-wop, the bop, and the jive! It comes with a 50s poodle skirt, scarf, bobby socks, and cat-eye glasses. The poodle skirt is made from 100% acrylic felt and features an applique of a black and white poodle. A twisting and looping leash is sewn onto the skirt for a fun, authentic retro look. The skirt also has an elastic waistband that will stretch with ease, making a super comfortable fit. Each skirt is handmade by local seamstresses right here in the USA! The scarf can either be worn as an ascot or a hair accessory. The scarf is made from chiffon, so it will feel soft and lightweight on your little one’s neck. The bobby socks come in white and also have a poodle applique machines pressed onto their cuffs. Finally, the cat-eye glasses have sparkling rhinestones embedded into the frame. The lenses are made from impact-resistant plastic, so she’ll be able to enjoy them for years to come. You can choose from 5 different color schemes, including hot pink, light pink, purple, red, or teal. The skirts are made especially for little girls. Order one for the next sock hop, swing dance, decades dance, or themed party. Your daughter will be the belle of the ball when she wears this outfit! Or double up and wear it as a Halloween costume as well. No matter what, she’ll be a saddle shoe in for best dressed! Hip Hop 50s is a local business based in the USA. CUTE 4-PIECE SET: You’ll receive a poodle skirt, scarf, bobby socks, and cat-eye glasses. The poodle skirt is made from 100% acrylic felt for an authentic fifties look. It features an applique of a poodle with an ric-rac leash lovingly sewn to it. The socks also have an embroidered poodle applique pressed on their cuffs. The versatile chiffon ascot adds class and sophistication to your littles outfit. *Shirt not included.
PERFECT FOR SOCK HOPS & DECADE DANCES: Step back in time with this adorable vintage-inspired toddler poodle skirt costume. Whether she’s going to a sock hop, decades dance, or 50s-themed party, she’ll fit right in with your new retro attire. Let’s hope there’s a daddy daughter dance to make the night extra special. The whole family will twist and shout and rock ‘n’ roll when she’s wearing her poodle skirt complete with accessories!
FUN HALLOWEEN COSTUME: Toddlers sometimes aren’t into Halloween being so scary! Rest assured that it will be all kicks and giggles when the get to wear this adorable poodle costume. It comes in 5 different colors, giving you a wide variety to choose from. Your little rebel can feel a bit of independence, when she puts on this costumes herself. All you have to do is add a simple blouse, tie her scarf and curl her hair and she’ll look like she came straight from the decade of rock ‘n’ roll
FOR TODDLER GIRLS: Every detail of this costume is designed for toddlers. The scarf and glasses are sized down for little bodies. It comes in one size that fit toddlers that are 1 to 3 years of age. Lastly, the skirt features an elastic band, ensuring comfortable stretch for your little one. Be sure to check out our size chart for more info. Hip Hop 50s Shop Light Pink

neg:
Hip Hop 50s Shop Baby and Toddler Poodle Skirt (Light Pink, Toddler) Dress up your little princess in this adorable poodle skirt costume from Hip Hop 50’s Shop, and watch her become a 50’s queen in no time! This skirt is embroidered with a sewn-on black ric-rac “leash” and a poodle appliqué and is seamless except where the felt fabric connects to a 1 1/2-inch black elastic waistband. Whether you need it for her upcoming sock hop, a costume dance with friends, or as an enchanting and memorable Halloween costume, your little one will look as priceless as she is in this fantastic outfit. It is also great for everyday play dress-up apparel, with the durability to hold up to her energy. Handmade by professional seamstresses right here in the USA in the traditional style that makes us at Hip Hop 50’s Shop your number-one go-to for all 50’s items when authenticity counts. Not only will you be supporting local businesses with every purchase, but you get the best workmanship at an affordable price. The poodle on the skirt has been professionally embroidered for long-lasting wear. The only thing cuter than this skirt will be your child when she wears it. This poodle skirt is machine washable, but we recommend hand washing it, then hanging it to dry in order to preserve this cute little outfit for years. The poodle skirt was the quintessential symbol of youth in the 1950’s. Every child needs a bright skirt to catch everyone's eyes as they run around any event. Our poodle costume comes in a variety of colors, including hot pink, light pink, purple, and teal, and will have your little one looking like she walked straight out of the 1950s. Certain to grant countless hours of fun, with this poodle skirt you can be confident that she would fit right in if she could sock hop right back in time to the best decade of the last century! We know you’ll love our adorable 1950s poodle skirt costume, and so will your precious little girl. ADORABLE HALLOWEEN COSTUME – Your little one will look perfect in our authentic 50’s poodle skirt, featuring a sewn-on black poodle appliqué and ribbon “leash.” Whether she wants to rock it out in this for Halloween or join in a sock hop with her friends, this poodle skirt will make her look like she stepped straight out of the 50’s! Match your adorable little girl with a poodle skirt for women.
HIGH QUALITY FELT – You know how rough the life of a toddler can be on their outfits. With our costumes, that won’t be something you have to worry about anymore. This 1950’s poodle skirt is made of high-quality acrylic felt that won’t fray over time. Our skirts are lovingly handmade by one of our seamstresses and the cute full circle skirt design makes the skirt body entirely seamless.
COMFORTABLE AND CLASSIC – We pride ourselves in giving you only the best in classy, vintage-inspired apparel. With adjustable sizes and professional hand-embroidery, this poodle skirt will fit your child in style, with a look that is as in today as it was in the Nifty Fifties. Your little one will look like she walked right out of the 50’s in this adorable poodle skirt for girls!
USA MADE, SUPERIOR QUALITY – These unique, adorable skirts are hand-cut and sewn right here in America, just like in the good old days! Not only will your toddler steal the show, along with the hearts of those who see her, but you will also be supporting local businesses with this high-quality vintage-style poodle skirt.
ELASTIC WAISTBAND FOR GREAT FIT - A 1 1/2-inch black elastic waistband will fit your little one with a waist size ranging between 14 and 20 inches. It is a comfortable fit and is easy for your toddler to put on by herself. This is especially helpful as she enters that stage where she has to “do it herself.” Fits most toddlers 1-3 years. The high-quality acrylic felt skirt is 11 inches long. Hip Hop 50s Shop Light Pink

neg:
fun shack Sock Hop Costume for Girls Pink 50s Halloween Costumes for Girls Small Includes a pink and black polka dot dress,a buckled black belt and a neck scarf.
Available in sizes Small (4-6 Years), Medium (7-9 Years), Large (10-12 Years), X-Large (12-14 years). Please refer to size chart image for further size details.
High quality material including a matching polka dot neck scarf.
Child Safe: Meets US Toy Safety Standards and Safety Test Approved.
Perfect poodle girl costume, kids Halloween costume, kids poodle costume, 50s girl costume, kids sock hop costume, girls dress up costumes for play, sockhop costume girls, 50s theme party. fun shack 50s Poodle Dress

neg: Ellie Shoes Men's 105-saddle, Black/White, 7 Lace up^Matte polyurethane^Stacked heel^Perforation Ellie Shoes Black/White


query: chicago's new negroes

doc: Let's Play Two: The Life and Times of Ernie Banks Rowman & Littlefield Publishers

neg: The Negro in Chicago: A Study of Race Relations and a Race Riot "The Negro in Chicago" is a sociological study published in 1922 by the University of Chicago Press. The study included a substantial review of the background of the Chicago riots of July and August 1919, the riots themselves, and their aftermath, together with original work and investigation into the relations between and perceptions of the black and white communities in Chicago. At this time, the city experienced a substantial increase of Black migration from the South. World War I had brought industrial jobs to cities in the North but many of these jobs were subject to a color bar and only available to whites. The arrival of black people in northern cities led to an increase in rent in underdeveloped neighborhoods and white flight. Expansion of the ghetto caused friction among white residents, which eventually led to riots.

neg: Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s (New Black Studies) As both an activist and the dynamic editor of Negro Digest, Hoyt W. Fuller stood at the nexus of the Black Arts Movement and the broader black cultural politics of his time. Jonathan Fenderson uses historical snapshots of Fuller's life and achievements to rethink the period and establish Fuller's important role in laying the foundation for the movement. In telling Fuller's story, Fenderson provides provocative new insights into the movement's international dimensions, the ways the movement took shape at the local level, the impact of race and other factors, and the challenges--corporate, political, and personal--that Fuller and others faced in trying to build black institutions. An innovative study that approaches the movement from a historical perspective, Building the Black Arts Movement is a much-needed reassessment of the trajectory of African American culture over two explosive decades.

neg:
The Invention and Reinvention of Big Bill Broonzy Over the course of his long career, legendary bluesman William "Big Bill" Broonzy (1893–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the North, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century.

Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.

neg:
Lovable Racists, Magical Negroes, and White Messiahs In this incredibly timely book, David Ikard dismantles popular white supremacist tropes, which effectively devalue black life and trivialize black oppression. Lovable Racists, Magical Negroes, and White Messiahs investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom’s Cabin to The Help.

In the book, Ikard explodes the fiction of a postracial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, he analyzes willful white blindness and attendant master narratives of white redemption—arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. In Lovable Racists, Magical Negroes, and White Messiahs, Ikard expertly and unflinchingly gives us a necessary critical historical intervention.

neg:
Archibald Motley Jr. and Racial Reinvention: The Old Negro in New Negro Art (New Black Studies) An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley's approach to constructing a New Negro--a dignified figure both accomplished and worthy of respect--reflected the challenges faced by African American artists working on the project of racial reinvention and uplift.

Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.

neg:
Authentic Blackness: The Folk in the New Negro Renaissance (New Americanists) What constitutes “blackness” in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more “authentic” than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Movement—also known as the Harlem Renaissance—to explore early challenges to the idea that race is a static category.
Authentic Blackness looks at the place of the “folk”—those African Americans “furthest down,” in the words of Alain Locke—and how the representation of the folk and the black middle class both spurred the New Negro Movement and became one of its most serious points of contention. Drawing on vernacular theories of African American literature from such figures as Henry Louis Gates Jr. and Houston Baker as well as theorists Judith Butler and Stuart Hall, Favor looks closely at the work of four Harlem Renaissance fiction writers: James Weldon Johnson, Nella Larsen, George Schuyler, and Jean Toomer. Arguing that each of these writers had, at best, an ambiguous relationship to African American folk culture, Favor demonstrates how they each sought to redress the notion of a fixed black identity. Authentic Blackness illustrates how “race” has functioned as a type of performative discourse, a subjectivity that simultaneously builds and conceals its connections with such factors as class, gender, sexuality, and geography.

neg: Death Blow to Jim Crow: The National Negro Congress and the Rise of Militant Civil Rights (The John Hope Franklin Series in African American History and Culture) The University of North Carolina Press

neg: Our Team: The Epic Story of Four Men and the World Series That Changed Baseball Flatiron Books

neg: The Negro Church in America/The Black Church Since Frazier (Sourcebooks in Negro History) Schocken Black

neg: The Negro in Illinois: The WPA Papers (New Black Studies Series) University of Illinois Press

neg: Black Metropolis: A Study of Negro Life in a Northern City University of Chicago Press


query: chicago's new negroes

doc: Chicago's New Negroes: Modernity, the Great Migration, and Black Urban Life Used Book in Good Condition The University of North Carolina Press

neg: The Negro in Chicago: A Study of Race Relations and a Race Riot "The Negro in Chicago" is a sociological study published in 1922 by the University of Chicago Press. The study included a substantial review of the background of the Chicago riots of July and August 1919, the riots themselves, and their aftermath, together with original work and investigation into the relations between and perceptions of the black and white communities in Chicago. At this time, the city experienced a substantial increase of Black migration from the South. World War I had brought industrial jobs to cities in the North but many of these jobs were subject to a color bar and only available to whites. The arrival of black people in northern cities led to an increase in rent in underdeveloped neighborhoods and white flight. Expansion of the ghetto caused friction among white residents, which eventually led to riots.

neg: Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s (New Black Studies) As both an activist and the dynamic editor of Negro Digest, Hoyt W. Fuller stood at the nexus of the Black Arts Movement and the broader black cultural politics of his time. Jonathan Fenderson uses historical snapshots of Fuller's life and achievements to rethink the period and establish Fuller's important role in laying the foundation for the movement. In telling Fuller's story, Fenderson provides provocative new insights into the movement's international dimensions, the ways the movement took shape at the local level, the impact of race and other factors, and the challenges--corporate, political, and personal--that Fuller and others faced in trying to build black institutions. An innovative study that approaches the movement from a historical perspective, Building the Black Arts Movement is a much-needed reassessment of the trajectory of African American culture over two explosive decades.

neg:
The Invention and Reinvention of Big Bill Broonzy Over the course of his long career, legendary bluesman William "Big Bill" Broonzy (1893–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the North, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century.

Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.

neg:
Lovable Racists, Magical Negroes, and White Messiahs In this incredibly timely book, David Ikard dismantles popular white supremacist tropes, which effectively devalue black life and trivialize black oppression. Lovable Racists, Magical Negroes, and White Messiahs investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom’s Cabin to The Help.

In the book, Ikard explodes the fiction of a postracial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, he analyzes willful white blindness and attendant master narratives of white redemption—arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. In Lovable Racists, Magical Negroes, and White Messiahs, Ikard expertly and unflinchingly gives us a necessary critical historical intervention.

neg:
Archibald Motley Jr. and Racial Reinvention: The Old Negro in New Negro Art (New Black Studies) An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley's approach to constructing a New Negro--a dignified figure both accomplished and worthy of respect--reflected the challenges faced by African American artists working on the project of racial reinvention and uplift.

Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.

neg:
Authentic Blackness: The Folk in the New Negro Renaissance (New Americanists) What constitutes “blackness” in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more “authentic” than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Movement—also known as the Harlem Renaissance—to explore early challenges to the idea that race is a static category.
Authentic Blackness looks at the place of the “folk”—those African Americans “furthest down,” in the words of Alain Locke—and how the representation of the folk and the black middle class both spurred the New Negro Movement and became one of its most serious points of contention. Drawing on vernacular theories of African American literature from such figures as Henry Louis Gates Jr. and Houston Baker as well as theorists Judith Butler and Stuart Hall, Favor looks closely at the work of four Harlem Renaissance fiction writers: James Weldon Johnson, Nella Larsen, George Schuyler, and Jean Toomer. Arguing that each of these writers had, at best, an ambiguous relationship to African American folk culture, Favor demonstrates how they each sought to redress the notion of a fixed black identity. Authentic Blackness illustrates how “race” has functioned as a type of performative discourse, a subjectivity that simultaneously builds and conceals its connections with such factors as class, gender, sexuality, and geography.

neg: Death Blow to Jim Crow: The National Negro Congress and the Rise of Militant Civil Rights (The John Hope Franklin Series in African American History and Culture) The University of North Carolina Press

neg: Our Team: The Epic Story of Four Men and the World Series That Changed Baseball Flatiron Books

neg: The Negro Church in America/The Black Church Since Frazier (Sourcebooks in Negro History) Schocken Black

neg: The Negro in Illinois: The WPA Papers (New Black Studies Series) University of Illinois Press

neg: Black Metropolis: A Study of Negro Life in a Northern City University of Chicago Press


query: chicago's new negroes

doc: Harry T. Burleigh: From the Spiritual to the Harlem Renaissance (Music in American Life)

neg: The Negro in Chicago: A Study of Race Relations and a Race Riot "The Negro in Chicago" is a sociological study published in 1922 by the University of Chicago Press. The study included a substantial review of the background of the Chicago riots of July and August 1919, the riots themselves, and their aftermath, together with original work and investigation into the relations between and perceptions of the black and white communities in Chicago. At this time, the city experienced a substantial increase of Black migration from the South. World War I had brought industrial jobs to cities in the North but many of these jobs were subject to a color bar and only available to whites. The arrival of black people in northern cities led to an increase in rent in underdeveloped neighborhoods and white flight. Expansion of the ghetto caused friction among white residents, which eventually led to riots.

neg: Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s (New Black Studies) As both an activist and the dynamic editor of Negro Digest, Hoyt W. Fuller stood at the nexus of the Black Arts Movement and the broader black cultural politics of his time. Jonathan Fenderson uses historical snapshots of Fuller's life and achievements to rethink the period and establish Fuller's important role in laying the foundation for the movement. In telling Fuller's story, Fenderson provides provocative new insights into the movement's international dimensions, the ways the movement took shape at the local level, the impact of race and other factors, and the challenges--corporate, political, and personal--that Fuller and others faced in trying to build black institutions. An innovative study that approaches the movement from a historical perspective, Building the Black Arts Movement is a much-needed reassessment of the trajectory of African American culture over two explosive decades.

neg:
The Invention and Reinvention of Big Bill Broonzy Over the course of his long career, legendary bluesman William "Big Bill" Broonzy (1893–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the North, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century.

Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.

neg:
Lovable Racists, Magical Negroes, and White Messiahs In this incredibly timely book, David Ikard dismantles popular white supremacist tropes, which effectively devalue black life and trivialize black oppression. Lovable Racists, Magical Negroes, and White Messiahs investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom’s Cabin to The Help.

In the book, Ikard explodes the fiction of a postracial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, he analyzes willful white blindness and attendant master narratives of white redemption—arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. In Lovable Racists, Magical Negroes, and White Messiahs, Ikard expertly and unflinchingly gives us a necessary critical historical intervention.

neg:
Archibald Motley Jr. and Racial Reinvention: The Old Negro in New Negro Art (New Black Studies) An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley's approach to constructing a New Negro--a dignified figure both accomplished and worthy of respect--reflected the challenges faced by African American artists working on the project of racial reinvention and uplift.

Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.

neg:
Authentic Blackness: The Folk in the New Negro Renaissance (New Americanists) What constitutes “blackness” in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more “authentic” than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Movement—also known as the Harlem Renaissance—to explore early challenges to the idea that race is a static category.
Authentic Blackness looks at the place of the “folk”—those African Americans “furthest down,” in the words of Alain Locke—and how the representation of the folk and the black middle class both spurred the New Negro Movement and became one of its most serious points of contention. Drawing on vernacular theories of African American literature from such figures as Henry Louis Gates Jr. and Houston Baker as well as theorists Judith Butler and Stuart Hall, Favor looks closely at the work of four Harlem Renaissance fiction writers: James Weldon Johnson, Nella Larsen, George Schuyler, and Jean Toomer. Arguing that each of these writers had, at best, an ambiguous relationship to African American folk culture, Favor demonstrates how they each sought to redress the notion of a fixed black identity. Authentic Blackness illustrates how “race” has functioned as a type of performative discourse, a subjectivity that simultaneously builds and conceals its connections with such factors as class, gender, sexuality, and geography.

neg: Death Blow to Jim Crow: The National Negro Congress and the Rise of Militant Civil Rights (The John Hope Franklin Series in African American History and Culture) The University of North Carolina Press

neg: Our Team: The Epic Story of Four Men and the World Series That Changed Baseball Flatiron Books

neg: The Negro Church in America/The Black Church Since Frazier (Sourcebooks in Negro History) Schocken Black

neg: The Negro in Illinois: The WPA Papers (New Black Studies Series) University of Illinois Press

neg: Black Metropolis: A Study of Negro Life in a Northern City University of Chicago Press


query: chicago's new negroes

doc: Roots of the Black Chicago Renaissance: New Negro Writers, Artists, and Intellectuals, 1893-1930 (New Black Studies Series) University of Illinois Press

neg: The Negro in Chicago: A Study of Race Relations and a Race Riot "The Negro in Chicago" is a sociological study published in 1922 by the University of Chicago Press. The study included a substantial review of the background of the Chicago riots of July and August 1919, the riots themselves, and their aftermath, together with original work and investigation into the relations between and perceptions of the black and white communities in Chicago. At this time, the city experienced a substantial increase of Black migration from the South. World War I had brought industrial jobs to cities in the North but many of these jobs were subject to a color bar and only available to whites. The arrival of black people in northern cities led to an increase in rent in underdeveloped neighborhoods and white flight. Expansion of the ghetto caused friction among white residents, which eventually led to riots.

neg: Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s (New Black Studies) As both an activist and the dynamic editor of Negro Digest, Hoyt W. Fuller stood at the nexus of the Black Arts Movement and the broader black cultural politics of his time. Jonathan Fenderson uses historical snapshots of Fuller's life and achievements to rethink the period and establish Fuller's important role in laying the foundation for the movement. In telling Fuller's story, Fenderson provides provocative new insights into the movement's international dimensions, the ways the movement took shape at the local level, the impact of race and other factors, and the challenges--corporate, political, and personal--that Fuller and others faced in trying to build black institutions. An innovative study that approaches the movement from a historical perspective, Building the Black Arts Movement is a much-needed reassessment of the trajectory of African American culture over two explosive decades.

neg:
The Invention and Reinvention of Big Bill Broonzy Over the course of his long career, legendary bluesman William "Big Bill" Broonzy (1893–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the North, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century.

Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.

neg:
Lovable Racists, Magical Negroes, and White Messiahs In this incredibly timely book, David Ikard dismantles popular white supremacist tropes, which effectively devalue black life and trivialize black oppression. Lovable Racists, Magical Negroes, and White Messiahs investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom’s Cabin to The Help.

In the book, Ikard explodes the fiction of a postracial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, he analyzes willful white blindness and attendant master narratives of white redemption—arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. In Lovable Racists, Magical Negroes, and White Messiahs, Ikard expertly and unflinchingly gives us a necessary critical historical intervention.

neg:
Archibald Motley Jr. and Racial Reinvention: The Old Negro in New Negro Art (New Black Studies) An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley's approach to constructing a New Negro--a dignified figure both accomplished and worthy of respect--reflected the challenges faced by African American artists working on the project of racial reinvention and uplift.

Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.

neg:
Authentic Blackness: The Folk in the New Negro Renaissance (New Americanists) What constitutes “blackness” in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more “authentic” than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Movement—also known as the Harlem Renaissance—to explore early challenges to the idea that race is a static category.
Authentic Blackness looks at the place of the “folk”—those African Americans “furthest down,” in the words of Alain Locke—and how the representation of the folk and the black middle class both spurred the New Negro Movement and became one of its most serious points of contention. Drawing on vernacular theories of African American literature from such figures as Henry Louis Gates Jr. and Houston Baker as well as theorists Judith Butler and Stuart Hall, Favor looks closely at the work of four Harlem Renaissance fiction writers: James Weldon Johnson, Nella Larsen, George Schuyler, and Jean Toomer. Arguing that each of these writers had, at best, an ambiguous relationship to African American folk culture, Favor demonstrates how they each sought to redress the notion of a fixed black identity. Authentic Blackness illustrates how “race” has functioned as a type of performative discourse, a subjectivity that simultaneously builds and conceals its connections with such factors as class, gender, sexuality, and geography.

neg: Death Blow to Jim Crow: The National Negro Congress and the Rise of Militant Civil Rights (The John Hope Franklin Series in African American History and Culture) The University of North Carolina Press

neg: Our Team: The Epic Story of Four Men and the World Series That Changed Baseball Flatiron Books

neg: The Negro Church in America/The Black Church Since Frazier (Sourcebooks in Negro History) Schocken Black

neg: The Negro in Illinois: The WPA Papers (New Black Studies Series) University of Illinois Press

neg: Black Metropolis: A Study of Negro Life in a Northern City University of Chicago Press


query: chicago's new negroes

doc: North of Slavery: The Negro in the Free States, 1790-1860 University of Chicago Press

neg: The Negro in Chicago: A Study of Race Relations and a Race Riot "The Negro in Chicago" is a sociological study published in 1922 by the University of Chicago Press. The study included a substantial review of the background of the Chicago riots of July and August 1919, the riots themselves, and their aftermath, together with original work and investigation into the relations between and perceptions of the black and white communities in Chicago. At this time, the city experienced a substantial increase of Black migration from the South. World War I had brought industrial jobs to cities in the North but many of these jobs were subject to a color bar and only available to whites. The arrival of black people in northern cities led to an increase in rent in underdeveloped neighborhoods and white flight. Expansion of the ghetto caused friction among white residents, which eventually led to riots.

neg: Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s (New Black Studies) As both an activist and the dynamic editor of Negro Digest, Hoyt W. Fuller stood at the nexus of the Black Arts Movement and the broader black cultural politics of his time. Jonathan Fenderson uses historical snapshots of Fuller's life and achievements to rethink the period and establish Fuller's important role in laying the foundation for the movement. In telling Fuller's story, Fenderson provides provocative new insights into the movement's international dimensions, the ways the movement took shape at the local level, the impact of race and other factors, and the challenges--corporate, political, and personal--that Fuller and others faced in trying to build black institutions. An innovative study that approaches the movement from a historical perspective, Building the Black Arts Movement is a much-needed reassessment of the trajectory of African American culture over two explosive decades.

neg:
The Invention and Reinvention of Big Bill Broonzy Over the course of his long career, legendary bluesman William "Big Bill" Broonzy (1893–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the North, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century.

Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.

neg:
Lovable Racists, Magical Negroes, and White Messiahs In this incredibly timely book, David Ikard dismantles popular white supremacist tropes, which effectively devalue black life and trivialize black oppression. Lovable Racists, Magical Negroes, and White Messiahs investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom’s Cabin to The Help.

In the book, Ikard explodes the fiction of a postracial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, he analyzes willful white blindness and attendant master narratives of white redemption—arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. In Lovable Racists, Magical Negroes, and White Messiahs, Ikard expertly and unflinchingly gives us a necessary critical historical intervention.

neg:
Archibald Motley Jr. and Racial Reinvention: The Old Negro in New Negro Art (New Black Studies) An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley's approach to constructing a New Negro--a dignified figure both accomplished and worthy of respect--reflected the challenges faced by African American artists working on the project of racial reinvention and uplift.

Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.

neg:
Authentic Blackness: The Folk in the New Negro Renaissance (New Americanists) What constitutes “blackness” in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more “authentic” than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Movement—also known as the Harlem Renaissance—to explore early challenges to the idea that race is a static category.
Authentic Blackness looks at the place of the “folk”—those African Americans “furthest down,” in the words of Alain Locke—and how the representation of the folk and the black middle class both spurred the New Negro Movement and became one of its most serious points of contention. Drawing on vernacular theories of African American literature from such figures as Henry Louis Gates Jr. and Houston Baker as well as theorists Judith Butler and Stuart Hall, Favor looks closely at the work of four Harlem Renaissance fiction writers: James Weldon Johnson, Nella Larsen, George Schuyler, and Jean Toomer. Arguing that each of these writers had, at best, an ambiguous relationship to African American folk culture, Favor demonstrates how they each sought to redress the notion of a fixed black identity. Authentic Blackness illustrates how “race” has functioned as a type of performative discourse, a subjectivity that simultaneously builds and conceals its connections with such factors as class, gender, sexuality, and geography.

neg: Death Blow to Jim Crow: The National Negro Congress and the Rise of Militant Civil Rights (The John Hope Franklin Series in African American History and Culture) The University of North Carolina Press

neg: Our Team: The Epic Story of Four Men and the World Series That Changed Baseball Flatiron Books

neg: The Negro Church in America/The Black Church Since Frazier (Sourcebooks in Negro History) Schocken Black

neg: The Negro in Illinois: The WPA Papers (New Black Studies Series) University of Illinois Press

neg: Black Metropolis: A Study of Negro Life in a Northern City University of Chicago Press